professional factory for Cold lamination film to Hamburg Importers

professional factory for
 Cold lamination film to Hamburg Importers

Short Description:

Cold Laminate Face Film – Double Sided Super Clear Roll Cold laminating film is made of transparent PVC with pressure sensitive adhesives, and using this layer bind the film to the material being laminated. Cold laminating film is mounted or laminated to graphics by laminator to protect graphics against scratch, stain and moisture. According to finishes, we provide smooth and matte laminating film which are widely used in advertising industry. Cold lamination film glossy and matte surfa...


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We rely upon strategic thinking, constant modernisation in all segments, technological advances and of course upon our employees that directly participate in our success for Tent canvas material , Inflatable castle canvas , PVC Tarpaulin Laminated , Trust us and you will gain far more. Be sure to come to feel free to contact us for additional information, we assure you of our best awareness at all times.
professional factory for Cold lamination film to Hamburg Importers Detail:

Cold Laminate Face Film – Double Sided Super Clear Roll

Cold laminating film is made of transparent PVC with pressure sensitive adhesives, and using this layer bind the film to the material being laminated. Cold laminating film is mounted or laminated to graphics by laminator to protect graphics against scratch, stain and moisture. According to finishes, we provide smooth and matte laminating film which are widely used in advertising industry.

Cold lamination film
glossy and matte surface
Size : 1.07/1.27/1.37/1.52m width by 50meter length

Popular types as below:

Item

Subscription

Specification

Width (M)

Roll length(m)

DCL-80M

cold laminated
film matte

PVC thickness 0.08mm, back paper 100gsm

0.9-1.52

30/50/100

DCL-80UV

Anti-uv cold
laminated film

PVC thickness 0.08mm, back paper 100gsm

0.9-1.52

30/50/100

DCL-60H

cold laminated
film (yellow paper)

PVC thickness 0.06mm, back paper 75gsm

0.9-1.52

30/50/100

DCL-803D

3D cold laminated
film matte

PVC thickness 0.08mm, back paper 100gsm

0.9-1.52

30/50/100

DCL-80C

cold laminated
film crossing

PVC thickness 0.08mm, back paper 100gsm

0.9-1.52

30/50/100

DCL-35DMT

super clear laminated film for one way vision

PVC thickness 0.035mm, back PET 0.026mm

0.9-1.52

30/50/100

DCL-6014

polymeric cold
laminated film

PVC thickness 0.06mm,back paper 140gsm

0.9-1.52

30/50/100

DERFLEX supply all kinds of digital printing medias with good quality and competitive price;

We have a strict QC control, every roll PVC film before being made into the finished product, we will test its ink absorption.

In the production process of the finished banners, we will carry out random checks a second time to ensure printing quality and ink absorption.

We are responsible for our quality from beginning to the end. Once you meet any problems, we will go ahead to solve them at once.

Welcome to contact with us for more details.

 


Product detail pictures:

professional factory for
 Cold lamination film to Hamburg Importers detail pictures

professional factory for
 Cold lamination film to Hamburg Importers detail pictures


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  • Jeff Koons is widely considered to be one of the most significant artists to have emerged in the postwar era. Since the late 1970s, his diverse work has explored themes pertaining to taste, consumerism, mass culture, beauty, acceptance, and the role of the artist.

    ‘Now’ is the first major UK exhibition to be devoted to the artist since ‘Jeff Koons: Popeye Series’, at the Serpentine Gallery in 2009. Spanning thirty-five years of the artist’s extraordinary career, ‘Now’ features over thirty paintings, works on paper and sculptures dating from 1979 to 2014. Drawn from Hirst’s collection, a number of these works have never before been shown in the UK.

    Tracing the development of the artist’s radical reconfiguration of the readymade, the exhibition features one of Koons’s earliest works, Inflatable Flowers (Short White, Tall Purple) (1979), a vinyl blow-up flower displayed on a mirrored floor tile.

    Signalling the conception of one of Koons’s most enduring themes – the inflatable – it is here presented alongside a number of his iconic Hoover sculptures. Part of The New series (1980–1983), the wall-mounted Hoovers – in which immaculate, unused household appliances are displayed in fluorescent-lit, acrylic boxes – date from Koons’s time working as a Wall Street commodities broker. Two of the Hoovers, which remain eternally pristine despite being outdated, were included in Koons’s first solo exhibition, at New York’s New Museum in 1980. Part of that installation – originally displayed in the museum’s storefront windows – has been reassembled for this exhibition. For the artist, the readymade, whether in the form of a child’s toy, Baroque sculpture or advertising billboard, provides “the most objective statement possible”.

    Having begun his career focusing on the status of the object, ‘Now’ demonstrates how Koons quickly embarked on his lifelong investigation into the means by which objects are represented and communicated. With his sculptures cast in stainless steel, he returned to the inflatable; seductively replicating pre-existing objects in the gleaming, simulated opulence of the proletarian material. Employing cutting-edge technology, seemingly fragile, air-filled vinyl blow-ups and balloon animals are reproduced in stainless steel, sometimes rendered on the monumental scale of Balloon Monkey (Blue) (2006–2013), here exhibited in Newport Street’s double-height gallery. The reflective surfaces of these sculptures serve to “constantly remind viewers of their existence”, as Koons maintains, “it’s all about you”.

    Koons’s enduring ability to delight, fascinate and provoke is evident throughout this broad survey. Employing easily-identified images, he explores social mobility in the Equilibrium Nike posters, the ways alcohol is advertised to different demographics in Luxury and Degradation, and the evocative imagery of childhood toys represented in Celebration. Whilst with his Made in Heaven series – erotic scenes involving the artist and his then-wife Ilona Staller (aka ‘La Cicciolina’) – he investigates the stigma and shame that inheres in contemporary conceptions of sexuality, succeeding in transforming the erotic into a study of: “the biological eternal… the preservation of life, the continuation of life”.

    Summarised by curator and critic Norman Rosenthal as “manifestations of a joyful acceptance of American culture”, Koons’s work – which here fills Newport Street’s six, expansive galleries – challenges and teases in equal measure, reflecting as much on the profundities of our existence as the banalities of daily life.

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